Seeds: at the NAC in 2014

EricCrow'sBagOfSeeds

Liisa Repo-Martell and Eric Peterson, in Seeds. Photo: Guntar Kravis

After its Montreal run at the Centaur in November of this year, Seeds will be presented at the National Arts Center in Ottawa as part of the English Theatre’s 2013-2014 season (March 26 – April 12).

Annabel Soutar’s provocative docudrama, sparked by Chris Abraham’s suspenseful staging, will feature Eric Peterson in the role of now famous Saskatchewan farmer Percy Schmeiser. The farmer’s legal battle against Monsanto climaxed in the Supreme Court of Canada with an essential question: “who owns life?”


Seeds: on tour in 2014-2015

The English and the French versions of Seeds, Annabel Soutar’s play directed by Chris Abraham, were offered to CINARS’ presenters in order to organize the play’s first North American tour.

Seeds is a dramatic re-enactment of the 4-year legal battle between Saskatchewan farmer Percy Schmeiser and one of the biggest biotech corporations, Monsanto Inc.

Preview and excerpts of the play: vimeo.com/porteparole

Reviews: Seeds Presskit (PDF)

Seeds is a reminder to think about where our food comes from.” Nanette Soucy, The Charlebois Post.

“At least someone is paying some attention to agricultural issues.” Pat Donnelly, The Gazette

“(…) there is no clear right or wrong in Seeds —just increasing, unresolvable complexity.” Patrick Kennedy, The Montreal Review

“(…) Soutar’s script – along with Abraham’s direction and a crackerjack cast – succeed in making one think this is the only possible way the story could ever be distilled into digestible form.” Joel Fishbane, The Charlebois Post

“Thankfully, it is a world that Soutar, a talented chameleon-like ensemble cast, and ingenious director Chris Abraham bring us into with both urgency and humour. What is unsettling is that that world is also our world.” Chris Masson, litlive.ca

“Thoroughly entertaining from beginning to end, Seeds is a tour de force, deftly marshalling the singular powers of the theatre in the service of a crucial and timely civic debate. This is a form of theatre that Canada desperately needs.” Shawn Kast, Roverarts.com

 

Liisa Repo-Martell and Alex Ivanovici

Eric Peterson as Percy Schmeiser



Seeds: this Fall at the Centaur

 

Seeds, Annabel Soutar’s docudrama about farmer Percy Schmeiser’s legal battle against biotech firm Monsanto, will be at the Centaur Theatre this Fall, from October 29th to November 24th, as staged by award-winning director Chris Abraham, artistic director of Toronto’s Crow’s Theatre.

Iconic Canadian actor Eric Peterson will portray iconic Percy Schmeiser, who asked the famous question “who owns life?” before the Supreme Court of Canada and galvanized the anti-GMO movement around the world.


Thanks everyone!

Porte Parole has a lot to be thankful for in 2012, and expresses its gratitude to everyone who participated in its success, notably its new partner, La Coop fédérée.

We were able to expand our home audience as well as opportunities to reach new markets in the upcoming years.

A first play was produced outside of Quebec: Crow’s Theatre’s presentation of Seeds in February, at Toronto’s Young Centre for the Performing Arts. Directed by Chris Abraham, Crow’s Artistic Director, and starring Canadian icon Eric Peterson, Seeds was acclaimed by critics and spectators alike.The production was offered again in June at the Festival TransAmériques, attracting a great deal of attention from theatre-goers and international presenters.

Click here to see a few photos from Seeds in Toronto.

The same staging was used in Montreal for the French version of the play, Grain(s), translated by Fanny Britt and presented at Théâtre La Licorne in September. Again, the play was a success, and will be part of the Montreal Arts Council’s 2014 touring program.

We wish you all a Merry Christmas and a very happy New Year!


SEEDS at the Festival TransAmériques

The new electrifying version of Seeds, as directed by Chris Abraham and received in Toronto with rave reviews, was presented at the Festival TransAmériques. The shows, at Théâtre d’Aujourd’hui, were warmly received.

Seeds goes behind-the-scene to reveal unknown aspects of the four-year trial that pitted a Saskatchewan farmer against multinational biotech Monsanto all the way to the Supreme Court. The legal battle was much more complex than the David against Goliath fight it seemed to be.

Who should relate to biotechnology? Anyone who eats… As a matter of fact, the future of mankind, of life as we know it, may be at play on our plate right now.

“Everything works – the actors and their multiple character, Abraham’s complex staging.” Paula Citron, paulacitron.ca, 29 février 2012

“Soutar has done such a good job sowing the seeds of doubt that you wonder if this is nothing more than passionate rhetoric. Her play gives us plenty to think about, but leaves us to make up our own minds…”
Martin Morrow, The Globe and Mail, 23 février 2012

” (… ) one of the most impressive docu-dramas I’ve seen.”
Robert Cushman, National Post, February 25th, 2012

Comments translated from the message of a French-speaking audience member:

“(…) I really appreciated the deep respect that emerges from this monumental work. The strenght of the nuances that are put everywhere, in the text, in the voices, the bodies and the images. The documentary theatre that I’m discovering now seems to be a MOST stimulating form. (…)”

Mélanie Léger

Public-private engineers…

The tug-of-war opposing students and the Charest administration all but pushed aside another emergency: the possible corruption in the management of our public roads and structures. Le Devoir recently published an article about a specific aspect of the issue : Transports Québec – 32 ingénieurs privés dans les bureaux du ministère. It seems there are engineers from private firms working side by side with state-paid engineers in the ministry’s office. Whistleblower Robert Duchesneau had warned about such arrangements in his report, because of conflicting interests and the occasions for undue influences they provide. Kathleen Lévesque, the Devoir reporter, describes Minister Pierre Moreau’s response that the engineers’ conduct code is sufficient to ensure proper management as contrary to the Duchesneau Report’s findings. Now, Mr. Gilles Cloutier, who used to lobby for Roche Engineering, is bravely breaking the silence about bribes given to politicians by engineering firms. Lino Zambito, owner of construction firm Infrabec, confirms that bribes are often part of political financing.

As quoted in Sexy béton, State Engineers’ Union President Michel Gagnon’s opinion on the matter is clear: there are not enough engineers in the ministry to do the job right, with hundreds of ongoing construction sites and thousands of structures that have to be maintained. Surveillance and maintenance contracts have often been allocated to private firms, thus allowing a vast network of characters both official and shady to exchange favors back and forth. The sad result of this subculture is the collapses of several bridges and overpasses over the last ten years.

If the collapse on the Ville-Marie expressway didn’t kill anyone last summer, Transport Quebec’s negligence will eventually make victims. Again. That’s not something the engineers’ conduct code is able to prevent.


Seeds’ new version opens in Toronto

Eric Peterson as Percy Schmeiser. Photo: Maxime Côté

Annabel Soutar’s acclaimed documentary play Seeds has been updated by Chris Abraham, artistic director of Crow’s Theatre. Canadian icon Eric Peterson plays the role of Saskatchewan farmer Percy Schmeiser. Seeds‘ new version was presented in Toronto at theYoung Center for the Performing Arts from February 18th to March 10th. It will be part of the next Festival TransAmériques, and in the Fall of 2012, a French version will be coproduced by Porte Parole in Montreal.

Named the Best English Production of 2005 by the Association québécoise des critiques de théâtre (AQCT) and nominated for Best Original Script in 2005 by the Académie québécoise de théâtre, Seeds is a dramatic re-enactment of the 4-year legal battle between Saskatchewan farmer Percy Schmeiser and one of the biggest biotech corporations, Monsanto Inc.

This is how Chris Abraham sees it: “I’m thrilled to be introducing Toronto audiences to playwright Annabel Soutar and her remarkable piece Seeds. When I read it for the first time, I couldn’t put it down. Her dogged pursuit of the truth (…) is entirely gripping, as are her observation of the social and political implications of the paradigm shift in genetics happening under our feet. I can’t wait for the conversation and debate that will be sparked by this show.”

Based on court trial transcripts, interviews with Schmeiser, Monsanto representatives, and with farmers, academics, lawyers and scientists from all across Canada, Seeds leads us through a suspenseful labyrinth of legal conflicts around patent rights, scientific showdowns about GM food, and property clashes between farmers and the biotechnology industry.

The French version of Seeds will be created by Montreal playwright Fanny Britt, whose most recent play Enquête sur le pire played to rave reviews at Théâtre Aujourd’hui in April 2010.

Thanks to our partners Playwrights’ Workshop and Hexagram-Concordia for hosting workshops of the play.


Porte Parole’s Annual SPEAKeasy: already a classic!

Here’s a view of Porte Parole’s 2nd Annual SPEAKeasy, as an impressionist painter of the Roaring 20s might have seen it… Held at the lovely Le Lion d’Or, our poker night gathered a bunch of fun-loving players who challenged one another and Lady Luck herself in order to claim great prizes while supporting a good cause: Porte Parole and its groundbreaking doc theatre. A winning combination. Those of you who missed it should bet on being there next year!


Tonight: Porte Parole’s 2nd Annual SPEAKeasy

Leave your troubles at the door, and join us for a poppin’ night of poker, hooch and swinging tunes.

Here’s the lowdown:

What: A ritzy evening of poker and booze to support Porte Parole

When: Tuesday, January 17th, 2012, from 6:00 pm

Where: Le Lion D’or, 1676 Ontario East

How: $100 gets you a couple of booze tickets, some nibbles and a little poker dough ($1 500) to start you off (along with a $75 tax receipt).

6:00 pm: Welcome

7:00 pm: Poker

9:30 pm: End of silent auction

10:30 pm: End of poker tournament and winners’ announcements.

Check the dialog about it on this Facebook page.


Sexy béton on tour: a success

A scene from Sexy béton. Photo: Robert Etcheverry

Porte Parole’s tour of Sexy béton finished with a flourish on December 4th in St-Jean-sur-le-Richelieu with an enthusiastic audience of over 400 people.  Generally, the play inspired a keen interest everywhere it went – reaching over 2,000 spectators in 10 performances. Many audience members expressed gratitude for a play that portrays ordinary Quebec citizens attempting to navigate through today’s overly bureaucratic and prohibitively expensive justice system.

A few comments from the audience:

Cette compagnie théâtrale n’a pas fini de faire des vagues.” Serge Côté

J’y étais et c’était formidable! bravo! Josée Gosselin

Bravo pour l’audace.“ Micheline Benoit.

A warm “thank you” to our audience. And thanks once again to the tour’s team and actors for the top-notch quality of their work.